Colloque international “Cavell – la pensée du cinéma” (11, 13-15 et 16 juin 2019)
La pensée du cinéma
The Thought of Movies
En hommage à Stanley Cavell (1926-2018)
Colloque International
International Conference
Université Paris 1 Panthéon Sorbonne
Institut des sciences juridique et philosophique de la Sorbonne
Cinéma Le Champo
Paris, June 11th, 13th-15th, 16th 2019
Avec le soutien de/ sponsored by:
Institut Universitaire de France
Institut d’Asie Orientale, ENS de Lyon
Institut Acte, Université Paris 1
Programme JSPS/CNRS Education to Democracy
Editions Vrin
Editions Flammarion
Programme du cinéma Le Champo: CAVELL STANLEY LE CHAMPO 2019
Tuesday, JUNE 11th, 2019
Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris
20h – Opening of the Champo “Cavell Festival”: A. de Baecque, E. Domenach, S. Laugier
Comment je me suis disputé… (ma vie sexuelle) (1996, 2h58) English subtitles
presented by Arnaud Desplechin
Thursday, JUNE 13th, 2019
Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris
18h – Welcome
Sandra Laugier (Université Paris 1 Panthéon Sorbonne), Elise Domenach (ENS Lyon)
18h15 William Rothman (University of Miami): The Same Again, Only a Little Different: Cavell’s Two Takes on The Philadelphia Story
19h Letter form an Uknown Woman, Max Ophüls, 1948, presented by Marc Cerisuelo (Université Marne La Vallée)
20h30 Cocktail
Friday, JUNE 14th, 2019
Université Paris 1 Panthéon Sorbonne
17 rue de la Sorbonne 75005 Paris
UFR de philosophie, salle Cavaillès, Escalier C, 1er étage
Chair: Piergiorgio Donatelli (Universita Roma La Sapienza)
9h Stephen Mulhall (Oxford University) ‘The Alphabet of Us’: Miracles, Messianism and the Baseline Test in Blade Runner 2049
9h45 Naoko Saito (Kyoto University) What measures justice? What justifies happiness?: Mr. Deeds Goes to Town
10h15 Discussion
10h30 Ethics of Film
Chair: Alice Crary (Oxford University)
Piergiorgio Donatelli Filming democracy: reciprocity and irony
Victor Krebs (University Pontifical Lima) Film as Praise
Hugo Clémot (Tours) Cinéthique et perfectionnisme
Daniele Lorenzini (Université Saint-Louis – Bruxelles & University of Warwick) From Recognition to
14h Genres: Remarriage, Melodrama
Chair: Russell Goodman (University of New Mexico)
Martine de Gaudemar (Université Paris Nanterre) Cavell et le monde des femmes
Grégoire Halbout (Université de Tours) De la comédie du remariage à la comédie screwball
David LaRocca (Cornell University) Watching Home Movies with Stanley Cavell
15h30 Popular Culture
Chair: Victor Krebs
Philippe Corcuff (Science Po Lyon) Figures de la théorie critique et de la désobéissance dans le jeu de langage cinématographique, avec Cavell, au-delà de Cavell
Sandra Laugier (Université Panthéon Sorbonne, ISJPS) Ordinary Ethics and Popular Culture
Pauline Blistène (Univ. Paris 1) The Thought of TV Series: Realism and Education
Chair: Elise Domenach (ENS Lyon, IAO)
17h30 Paul Standish (UCL) Between loud mouths and thin lips: confidence, profession, and the aesthetics of philosophy
18h D.N. Rodowick (University of Chicago) Cavell, Community, and Contemporary Art
19h15, Librairie Vrin 6 place de la Sorbonne
Book presentations:
La Projection du monde (The World Viewed), Belin, 1999, new edition, Vrin, 2019
Philosophie des salles obscures (Cities of Words), 2011, reprint, Flammarion
Saturday, JUNE 15th, 2019
Université Paris 1 Panthéon Sorbonne
17 rue de la Sorbonne 75005 Paris
9h00-10h45
Session 1, S Salle Lalande, Escalier C, 1er étage, UFR de philosophie Univ. Paris 1
modérateur: Marco Dell’Omodarme (Paris 1 Panthéon Sorbonne-ACTE)
Yves Erard & Francis Mobio (Université de Lausanne) Stanley Cavell and Robert Gardner’s anthropological cinema: projecting self-evidence?
Léa Boman (ISJPS, Paris 1) Ordinary Life, self-reliance and emersonian perfectionism in Cities of Words (1981)
Kate Rennebohm (Harvard University) Reviewing Moral Perfectionism
Tristan Chetrit (ISJPS, Univ. Paris 1) Eternal Sunshine of the Spotless Mind: A Comedy of Remarriage?
Eric Ritter (Vanderbilt) Gender, Remarriage Comedy, and New Television in the work of Judd Apatow
Session 2 Salle de formation de la Bibliothèque Interuniversitaire de la Sorbonne
modérateur : Pierre Fasula (ISJPS, Univ. Paris 1)
Esther Hallé Saito (ENS Lyon) Cinematic Realism and the Sense of Loss. Antonio Pietrangeli and the Melodrama of the Unkown Woman
Olivia Poiatti (ISJPS) Women’s voice in film and the legacy of opera: a matter of desire
Vincent Zeis (Univ. Montréal) Stanley Cavell and Quentin Tarantino – Kill Bill (2003) read
through Contesting Tears: The Melodrama of the Unknown Woman (1996)
Matthew Congdon (Vanderbilt) What is a Type? Individual and Species in The World Viewed
Christian Walter (FMSH, ISJPS) A difficulty of moral perfectionism: the role of money in Chariots of fire
11h
Centre Panthéon, 12 place du Panthéon, 75005 Paris salle 216 2e étage
Chair: Sandra Laugier
11h Richard Moran (Harvard University) Cavell sur l’activité et la passivité dans l’expression photographique
11h45 Paola Marrati (Johns Hopkins University) La quête de l’existence. Sur The World Viewed et Gaslight
Centre Panthéon, 12 place du Panthéon, 75005 Paris salle 216 2e étage
14h-15h45 What Becomes of Things on Screen
Chair: Paola Marrati
Jean-Philippe Narboux (Bordeaux Montaigne) The Thought of TV Series
Byron Davies (UNAM) Accidents Made Permanent: Theater and Automatism in Stanley Cavell
Christian Martin (Universität Leipzig) The Invisible on Screen
Martin Shuster (Goucher College) Screen and World
16h-17h45 Cavell at Criticism
Chair: José Moure (Université Paris 1 Panthéon-Sorbonne, ACTE)
Marc Cerisuelo Philosophie, cinéphilie, critique
Murielle Joudet (Le Monde) A la recherche du Woman’s picture
Elise Domenach (ENS Lyon) Film criticism: rethinking the « aesthetic possibilities » of the medium
Andrew Klevan (Oxford University) Cavell at (Film) Criticism
Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris
18h Le Rayon Vert (Eric Rohmer, 1986), English subtitles, presented by Antoine de Baecque (ENS Ulm)
Sunday, JUNE 16th, 2019
Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris
14h The Awful Truth (Leo McCarey, 1937) presented by Sandra Laugier and David Cav
Organization
Sandra Laugier, Université Paris 1 Panthéon Sorbonne
Elise Domenach, Ecole Normale Supérieure de Lyon
Speakers
Pauline Blistène (Université Paris 1 Panthéon-Sorbonne)
Marc Cerisuelo (Université Marne La Vallée)
Philippe Corcuff (Science Po Lyon)
Alice Crary (Oxford University)
Antoine de Baecque (ENS Paris)
Martine de Gaudemar (Univ Paris X Nanterre)
Byron Davies (UNAM)
Marco Dell’Omodarme (Université Paris 1 Panthéon-Sorbonne, ACTE)
Piergiorgio Donatelli (Roma La Sapienza)
Pierre Fasula (ISJPS, Université Paris 1 Panthéon Sorbonne)
Russell Goodman (University of New Mexico)
Grégoire Halbout (Université de Tours)
Andrew Klevan (Oxford University)
Victor Krebs (Université Pontificale Lima)
David LaRocca (Cornell University)
Daniele Lorenzini (Centre Prospéro, Université Saint-Louis – Bruxelles)
Paola Marrati (Johns Hopkins University)
Christian Martin (Universität Leipzig)
Richard Moran (Harvard University)
José Moure (Université Paris 1 Panthéon-Sorbonne, ACTE)
Stephen Mulhall (Oxford University)
Jean-Philippe Narboux (Université Bordeaux Montaigne)
D.N. Rodowick (University of Chicago)
William Rothman (University of Miami)
Naoko Saito (Kyoto Univeristy)
Martin Shuster (Goucher College)
Paul Standish (University College London)
Sessions:
Léa Boman (Université Paris 1 Panthéon Sorbonne)
Tristan Chetrit (Université Paris 1 Panthéon Sorbonne)
Matthew Congdon (Vanderbilt University)
Yves Erard (Université de Lausanne)
Esther Hallé Saito (ENS Lyon)
Francis Mobio (Université de Lausanne)
Olivia Poiatti (Univ. Paris 1)
Kate Rennebohm (Harvard University)
Eric Ritter (Vanderbilt University)
Christian Walter (FMSH, ISJPS)
Vincent Zeis (Univ. Montréal)
OpenEdition vous propose de citer ce billet de la manière suivante :
Pierre Fasula (3 juin 2019). Colloque international “Cavell – la pensée du cinéma” (11, 13-15 et 16 juin 2019). EXeCO. Consulté le 13 octobre 2024 à l’adresse https://doi.org/10.58079/on8k
